Mary Katrantzou Spring 2010 collection...........!!!!
The shift from mechanical screen printing to computer manipulations of color and pattern has meant designers like Katrantzou can achieve hitherto impossibly complex feats of imagination, and she's moving as fast as pixels and ink jets can be pushed to decorate a beautiful silk dress.
For Spring, she'd gotten sucked into the visual possibilities of the spiraling, fluid forms of artisanal blown glass. "It became more free-form, and kind of organic," she said of her collection. "We ended up naming some of the dresses Sea Tiger, Barracuda, and Yellow Inferno."
To complete the theme, she asked a British master of art glass-blowing, Peter Layton, to make neckpieces and cuffs, and added gold Swarovski beading to a bodice section that "took six people three days to finish."
Thanks 2 Style
For Spring, she'd gotten sucked into the visual possibilities of the spiraling, fluid forms of artisanal blown glass. "It became more free-form, and kind of organic," she said of her collection. "We ended up naming some of the dresses Sea Tiger, Barracuda, and Yellow Inferno."
To complete the theme, she asked a British master of art glass-blowing, Peter Layton, to make neckpieces and cuffs, and added gold Swarovski beading to a bodice section that "took six people three days to finish."
Thanks 2 Style
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