Le grand hall
As soon as you step off the rue de Rivoli, you will be enthralled by our lobby’s innovative and enigmatic works of art. A frosted frame, a conversation seat, a dolphin chair, a crystal chandelier… and that’s just the beginning!
Le Meurice
Silver and white are interwoven to create a refined décor of pure materials. The restaurant, with it’s combination of 3-star cuisine, Yannick Alleno’s innovative concept of tableware, and various special features including a champagne bar, an open wine cellar and the Chef’s table, provides a unique dining atmosphere. One thing’s for sure: you certainly won’t get bored…
Silver and white are interwoven to create a refined décor of pure materials. The restaurant, with it’s combination of 3-star cuisine, Yannick Alleno’s innovative concept of tableware, and various special features including a champagne bar, an open wine cellar and the Chef’s table, provides a unique dining atmosphere. One thing’s for sure: you certainly won’t get bored…
Le Dali
You will be able to settle yourself comfortably and admire the centerpiece of the Stark project, a gigantic canvas measuring 145 sqm, whose hues of gold and ochre will transport you to another world. The dream continues with Yannick Alleno’s new culinary concept, designed around a menu that is FREE OF and 100%. And if this is not enough to convince you, a few unconventional details are there to remind you that this is Le Meurice: a Daliesque seat with feet in the form of lady’s shoes, a lamp with drawers and a lobster on a telephone!
You will be able to settle yourself comfortably and admire the centerpiece of the Stark project, a gigantic canvas measuring 145 sqm, whose hues of gold and ochre will transport you to another world. The dream continues with Yannick Alleno’s new culinary concept, designed around a menu that is FREE OF and 100%. And if this is not enough to convince you, a few unconventional details are there to remind you that this is Le Meurice: a Daliesque seat with feet in the form of lady’s shoes, a lamp with drawers and a lobster on a telephone!
Starck reawakens Le Meurice...
‘‘I wanted Le Meurice to move to a different beat, a warmer, more welcoming, more glamorous heart. I see Le Meurice as the most French of places, where everyone must feel at home. I want to shake it up, to make it a new destination where people will come to enjoy time out, lunch, a drink, or be transported by gastronomy. I asked Philippe Starck to imagine a new atmosphere, to create a mood that would enhance and respect the beauty and proportions of this magnificent palace. His response is what I had secretly dreamed of.
‘‘I wanted Le Meurice to move to a different beat, a warmer, more welcoming, more glamorous heart. I see Le Meurice as the most French of places, where everyone must feel at home. I want to shake it up, to make it a new destination where people will come to enjoy time out, lunch, a drink, or be transported by gastronomy. I asked Philippe Starck to imagine a new atmosphere, to create a mood that would enhance and respect the beauty and proportions of this magnificent palace. His response is what I had secretly dreamed of.
Philippe Starck will reveal Le Meurice’s soul.’’Franka Holtmann, General Manager of Le Meurice, has chosen Philippe Starck to restore Le Meurice’s heritage to its rightful prominence, and in doing so exalt its riches and beauty. His response is an «invisible transformation» with considerations of colour and light, a new interpretation of furniture, a play on transparency and movement, while Ara Starck has painted a monumental canvas…
Le Meurice turns to the future...
This is not the first time Le Meurice has been modernised and renovated over the course of its history, yet never before has such a transformation so creatively anchored it in a new millennium. The new decoration of its public areas brings the hotel’s true dimensions to the fore, exalts its historic decor with subtle surrealist touches and brings its full brilliance to light.
This is not the first time Le Meurice has been modernised and renovated over the course of its history, yet never before has such a transformation so creatively anchored it in a new millennium. The new decoration of its public areas brings the hotel’s true dimensions to the fore, exalts its historic decor with subtle surrealist touches and brings its full brilliance to light.
Audacity and Generosity
It took Philippe Starck and his team barely ten months to recreate a 500 square-metre decor, imagine more than 600 different items of furniture and give a more creative dimension to the grand foyer, Le Dalí , Le 228 and the le Meurice gastronomic restaurant, building a bridge between past and present.
It took Philippe Starck and his team barely ten months to recreate a 500 square-metre decor, imagine more than 600 different items of furniture and give a more creative dimension to the grand foyer, Le Dalí , Le 228 and the le Meurice gastronomic restaurant, building a bridge between past and present.
Keystone
Ara Starck hangs a monumental canvas under the restaurant’s glass dome, in perfect harmony with the surroundings. Gold evokes the very history of Le Meurice, red epitomises all that is human and white is for dreams. Red and gold curtains are swept aside to reveal four scenes on a white background. Even the extravagant dimensions - 145 square meters – are a reminder of the room’s surrealist past.
About Philippe Starck
Philippe Starck constantly seeks ways to bring love and happiness into our lives with objects and environments that light up the everyday. For more than 30 years, this polymorphous and unconventional designer who dreamed of being an astrophysicist or a composer has poured the same enthusiasm into caring for his tribe and «making poetic products and places» so that we, his family and his friends can enjoy a little bit of fantasy in our lives.
As a child, he spent hours under his father’s drawing-board, sawing, cutting, gluing, sanding, dismantling toys, bikes, motorbikes and various other objects. Hours spent taking apart and putting together, reinventing the world around him. His father, an inventor of airplanes, gave him the desire to create. His mother gave him a poetic vision of the world, an elegant approach to life that he calls panache. Indeed, it was on his mother’s advice that he studied design at Nissim de Camondo in Paris.
Several years and several prototypes later, leading Italian firms were entrusting him with our furniture. François Mitterand asked him to change his life at the Elysée, Café Costes became the café. He made the Royalton in New York and the Delano in Miami, to name but two, the first classics of a new idea of hotels.
Meanwhile, his architectural monsters sprung up around Japan to make him the leading exponent of expressionist architecture.
He has shaken up the traditions and culture of major cities around the world, for example with the Felix restaurant in Hong Kong, the Teatron in Mexico and more recently the Lan and the Volar Club in China, and the Bon in Moscow.
End 2006 saw the opening of the Katsuya in Los Angeles, the first in a series of Japanese restaurants which the American press has already singled out as «one of the most exciting restaurants of the past ten years.» Whether the Delano in Miami, the Mondrian in Los Angeles, the Hudson in New York or the Clift in San Francisco, his hotels have brought a new dimension to the American landscape. Over in Buenos Aires, the Faena was named Hotel of the Year while the Fasano, opened in Rio in July 2007, already has the makings of a future classic. In London, the Jean-Paul Gaultier Gallery meets the Sanderson and St Martin’s Lane hotels. In Paris, he transformed what was once Marie-Laure de Noailles’ private mansion into a dazzling crystal museum and a romantic, luxurious, audacious setting for Baccarat.
When Philippe Starck designs a hotel or restaurant, he pays as much attention to what isn’t there as to what is, creating spaces which visitors, the «actors» of these places, will then inhabit and transform. These are spaces which will take the members of his «cultural tribe» out of themselves and, most importantly, towards something better. More architectural projects, currently under way in Europe, China, the Middle East, Mexico and the United States, will create new poles of attraction, pleasure and new encounters.
As well as creating living spaces, Philippe Starck develops his own brands including Starck Eyes with Alain Mikli, Starck Watches with Fossil and Starck Naked underwear with Puma. As artistic director for Virgin Galactic he is contributing to the conquest of space and to making space travel an affordable reality. This homo amphibius satisfies his love of the sea by designing boats, including a 120-metre superyacht with a revolutionary hull. Last September he unveiled his extension for Port Adriano in Palma de Majorca, as well as his Café Racer for Voxane, France’s only motorbike manufacturer.
An honest and enthusiastic citizen, Philippe Starck considers it his duty to share his subversive vision for a fairer world, where each of us must contribute to the bigger picture.
Philippe Starck constantly seeks ways to bring love and happiness into our lives with objects and environments that light up the everyday. For more than 30 years, this polymorphous and unconventional designer who dreamed of being an astrophysicist or a composer has poured the same enthusiasm into caring for his tribe and «making poetic products and places» so that we, his family and his friends can enjoy a little bit of fantasy in our lives.
As a child, he spent hours under his father’s drawing-board, sawing, cutting, gluing, sanding, dismantling toys, bikes, motorbikes and various other objects. Hours spent taking apart and putting together, reinventing the world around him. His father, an inventor of airplanes, gave him the desire to create. His mother gave him a poetic vision of the world, an elegant approach to life that he calls panache. Indeed, it was on his mother’s advice that he studied design at Nissim de Camondo in Paris.
Several years and several prototypes later, leading Italian firms were entrusting him with our furniture. François Mitterand asked him to change his life at the Elysée, Café Costes became the café. He made the Royalton in New York and the Delano in Miami, to name but two, the first classics of a new idea of hotels.
Meanwhile, his architectural monsters sprung up around Japan to make him the leading exponent of expressionist architecture.
He has shaken up the traditions and culture of major cities around the world, for example with the Felix restaurant in Hong Kong, the Teatron in Mexico and more recently the Lan and the Volar Club in China, and the Bon in Moscow.
End 2006 saw the opening of the Katsuya in Los Angeles, the first in a series of Japanese restaurants which the American press has already singled out as «one of the most exciting restaurants of the past ten years.» Whether the Delano in Miami, the Mondrian in Los Angeles, the Hudson in New York or the Clift in San Francisco, his hotels have brought a new dimension to the American landscape. Over in Buenos Aires, the Faena was named Hotel of the Year while the Fasano, opened in Rio in July 2007, already has the makings of a future classic. In London, the Jean-Paul Gaultier Gallery meets the Sanderson and St Martin’s Lane hotels. In Paris, he transformed what was once Marie-Laure de Noailles’ private mansion into a dazzling crystal museum and a romantic, luxurious, audacious setting for Baccarat.
When Philippe Starck designs a hotel or restaurant, he pays as much attention to what isn’t there as to what is, creating spaces which visitors, the «actors» of these places, will then inhabit and transform. These are spaces which will take the members of his «cultural tribe» out of themselves and, most importantly, towards something better. More architectural projects, currently under way in Europe, China, the Middle East, Mexico and the United States, will create new poles of attraction, pleasure and new encounters.
As well as creating living spaces, Philippe Starck develops his own brands including Starck Eyes with Alain Mikli, Starck Watches with Fossil and Starck Naked underwear with Puma. As artistic director for Virgin Galactic he is contributing to the conquest of space and to making space travel an affordable reality. This homo amphibius satisfies his love of the sea by designing boats, including a 120-metre superyacht with a revolutionary hull. Last September he unveiled his extension for Port Adriano in Palma de Majorca, as well as his Café Racer for Voxane, France’s only motorbike manufacturer.
An honest and enthusiastic citizen, Philippe Starck considers it his duty to share his subversive vision for a fairer world, where each of us must contribute to the bigger picture.
About Ara Starck
Ara Starck was born in Paris in 1978. After studying at the Ateliers de Sèvres then the École des Beaux Arts in Paris, she was accepted at Saint Martin’s School of Fine Arts in London. She continued her studies at the Slade School of Fine Art, from which she graduated with a Bachelor of Arts degree in 2002. After a year in New York exploring and developing her style, Ara Starck returned to Paris where she lives and works.
To extend the boundaries of the canvas into a place where the imagination has no limits.’’ Through this desire to defy confinements and frameworks, applied to new technologies such as lenticular plastic, Ara gives expression to what she sees as the most complex and poetic subject, which she places at the heart of her work: mankind. Using the artist’s traditional tools of oils, brushes and turpentine, Ara Starck creates works of encounter. Her objective is to produce a third matter: an alchemy of the painting that is unique to the artist and the observer.
Ara Starck’s work for Le Meurice springs from a rich human encounter between the artist and Franka Holtmann, General Manager of Le Meurice. Seduced by an exceptional personality and by this legendary Parisian hotel, Ara wished to revive the great French tradition of incorporating a work of art into a living environment. Her ceiling-hung canvas for the most French of Parisian palace hotels follows in the tradition of Chagall and Cocteau. Man is at the heart of this exclusive and unique work, brought to life in four acts. Four imagined and imaginary places behind enigmatic curtains that open onto passing figures. A veritable game in which sienna effigies move like phantasmagoria through a world of gold, a sign of wealth and all that is sacred. White signifies the intangible, an invitation to dream.
And so Ara’s work reflects the rich life of a space redesigned by her father, Philippe Starck. Beyond this father-daughter dialogue, the spectator will be caught up in this enchanted world played out above their head, while the most perspicacious and curious will be drawn in to become part of it.
Ara has always looked beyond the usual confines in both the literal and figurative sense, and sees her preferred format of 4m x 3m canvases as a vital catalyst in her work: ‘‘To work within a framework, to detailed specifications, in search of the tiny crack that might just bring down imposed spatial limits to open up another mental space.
Ara Starck was born in Paris in 1978. After studying at the Ateliers de Sèvres then the École des Beaux Arts in Paris, she was accepted at Saint Martin’s School of Fine Arts in London. She continued her studies at the Slade School of Fine Art, from which she graduated with a Bachelor of Arts degree in 2002. After a year in New York exploring and developing her style, Ara Starck returned to Paris where she lives and works.
To extend the boundaries of the canvas into a place where the imagination has no limits.’’ Through this desire to defy confinements and frameworks, applied to new technologies such as lenticular plastic, Ara gives expression to what she sees as the most complex and poetic subject, which she places at the heart of her work: mankind. Using the artist’s traditional tools of oils, brushes and turpentine, Ara Starck creates works of encounter. Her objective is to produce a third matter: an alchemy of the painting that is unique to the artist and the observer.
Ara Starck’s work for Le Meurice springs from a rich human encounter between the artist and Franka Holtmann, General Manager of Le Meurice. Seduced by an exceptional personality and by this legendary Parisian hotel, Ara wished to revive the great French tradition of incorporating a work of art into a living environment. Her ceiling-hung canvas for the most French of Parisian palace hotels follows in the tradition of Chagall and Cocteau. Man is at the heart of this exclusive and unique work, brought to life in four acts. Four imagined and imaginary places behind enigmatic curtains that open onto passing figures. A veritable game in which sienna effigies move like phantasmagoria through a world of gold, a sign of wealth and all that is sacred. White signifies the intangible, an invitation to dream.
And so Ara’s work reflects the rich life of a space redesigned by her father, Philippe Starck. Beyond this father-daughter dialogue, the spectator will be caught up in this enchanted world played out above their head, while the most perspicacious and curious will be drawn in to become part of it.
Ara has always looked beyond the usual confines in both the literal and figurative sense, and sees her preferred format of 4m x 3m canvases as a vital catalyst in her work: ‘‘To work within a framework, to detailed specifications, in search of the tiny crack that might just bring down imposed spatial limits to open up another mental space.
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